Putting off Until Tomorrow

I recently had a friend from college tell me how proud he was for me. He said how he always hears people talking about how they want to write a book, or do a painting, or create a sculpture, or make a book of poetry, but they never get it done. He said that he found it amazing that I said I was going to write, and that I actually did it, and not only that, but I continue doing it.

That got me thinking that the only real difference between a writer and someone who aspires to be a writer is that a writer doesn’t put off until tomorrow what they can do today.

The major excuse one always hears about someone wanting to write a book, is that they don’t have the time to do it. The truth is, I think, these people don’t want to make the time to do it.

Let me tell you, I am a teacher, so, I work my 40+ hours a week, but I also tutor on the side for probably another 15 – 20 hours a week. Two or three times a month, I get in the car and travel to some destination for a comic book convention where I sell my books and comics on the weekends. Oh, and to add to that, I have an insane two-year-old (for those of you who are parents, you know what I’m talking about). So, if anyone has an excuse that they do not have any time to write, it is me.

Now, I’m not saying all this to brag. I’m trying to make a point. If I can get in at least a little bit of writing every day, than anyone can. The point is, that you have to do it instead of saying, “I’ll get to it when I have the time.”

It isn’t that hard to get started. If someone wants to write a book, they must have an idea in mind. The fact is, they have to sit at that keyboard—or, like in my case, a pen and notebook—and get those ideas out of their head. (Yes, for those of you wondering, before I type my stories out on the computer, I write them in a book. That way when I copy it down onto the computer, it forces me to do my edits as I go.)

And the thing that I think many people think is that they have to get all their ideas out at once. That is definitely not the case. I set a daily goal for myself for writing. My goal is not that large—only 500 words a day. This isn’t that large a number. If you’re typing in standard font, and single spaced pages, this is only one page. So, my goal is really one page a day. That’s 3,500 words a week. Most days I exceed that goal. However, there are days where I won’t make it. But that’s okay, because I will still make my goal by the end of the week.

If writing is a passion of yours, you should make time to do it. We all have other things we are doing. But if this is something you truly want to do, it is important that you get it done. Do an inventory of your time. Maybe there is some time in the evening when you could write something while you’re sitting in front of the TV. Maybe you can do like I do and write early in the morning before work, or late at night right before bed. Maybe you can start just by writing for one hour each day on the weekends and expand from there.

The important thing is to get it done. Stop saying that you don’t have the time. Make the time. Then maybe you will have a friend tell you how proud they are of you.

40 Questions to ask your Characters

When creating a new story, you need to start with some engaging characters. These characters are going to be the major driving force of the story. When creating a new character, you have to do more than come up with a simple name and physical description. You really need to get into the head of your character in order to effectively write from their point of view. The more you know your characters, the better you will be able to write them.

When I create a character, not only do I search through one of many baby naming books to find that perfect  name for them, I take a few pages in a notebook and for a moment, pretend I am that character and answer some questions as if I am him/her. I won’t even begin writing a story until I have fleshed out the characters that will inhabit it. When I answer the questions as my character, I learn things about him/her that I never imagined. For example, when I began creating the character of Christine for High School Heroes, I discovered she had a fear of crowds. I hadn’t intended this to be a fear of hers, but it turned into a plot point for my story once I made the discovery.

To help you create realistic and lifelike characters, here is a list of 40 questions you can ask him or her to answer so you can get a better idea of who he or she is. 

1.       Where were you born? Was it in a hospital or at home? Was there anything unusual about your birth?

2.       Are you an only child? If not, what order to you fall in? First, middle, last?

3.       What images come to mind when you think of early memories of your father and mother?

4.       What traits (physical or mental) did you inherit from your parents? 

5.       Recall any memories from your life before age 10.

6.       Where do you live? How many people live in your house? What are the distinctive features of your home?

7.       What are some rules you have in your household? Are they strictly enforced or are they lenient?

8.       To whom in your family do you feel the closest?

9.       Write a list of 5 things your mother or father say to you all the time.

10.   Other than family, who are the most important people in your life?

11.   How do you celebrate birthdays? Holidays? Which holiday is most celebrated in your home?

12.   Write about the most memorable vacation you’ve had? Where did you go? Would you go back?

13.   Make a list of 10 places you would like to visit before you die.

14.   What are your hobbies?

15.   When you were a child, what did you want to be when you grew up? Has that changed? If so, what do you want to be now?

16.   Think about an important conversation you’ve had with your best friend. What was it about?

17.   What do you and your friends do together for fun? When do you usually get together with them?

18.   Do you save money to purchase something big, or do you spend it as soon as you get it?

19.   What is your favorite TV shows? Movies? Books? Video Games? Music?

20.   What are possessions you really treasure? Why?

21.   Quickly describe your typical day.

22.   Describe a teacher either past or present who has had a great influence on you.

23.   How has your relationship changed with your parents through the years? Friends? Other family?

24.   Describe a difficult decision you have had to make in your life. 

25.   Where is your favorite place to have quiet and alone time? Why?

26.   How many boyfriends/girlfriends have you had? Do you consider that a lot? Is dating even important to you? Why?

27.   When did you realize or how will you know when you have fallen in love?

28.   Do you know how to cook? If so, how did you learn? If not, why can’t you cook?

29.   Describe a situation that will make you laugh uncontrollably.

30.   Have you ever moved to a new place? If yes, what adjustments did you have to make?

31.   When you come home at the end of the day, how do you feel? Why?

32.   Name your 3 closest friends and describe each of them. 

33.   Describe the pets you had growing up. Do you have similar pets now? Why or why not?

34.   How old were you when you stopped believing in: Santa Claus, Easter Bunny, Tooth Fairy, etc.?

35.   What are your greatest fears?

36.   What annoys you more than anything else? What do you do when you’re annoyed?

37.   What do you think your parents, teachers, friends, family would say about you if they were asked to describe you?

38.   Describe yourself in 10 words or less. 

39.   When looking for inspiration, where do you look? Why?

40.   How do you do research? Are you more likely to run to the library or Google? Why?

Graphic Novels - Some Helpful Tips

I have recently had several people ask me about turning their works into a graphic novel format as I have. I have been working for 2 years to finish the entire story of High School Heroes as a graphic novel (it will be two parts when it's all done) as well as working on an original graphic novel called The Poe Murders. 

They both present challenges. And as I have  absolutely no artistic ability, I must hire people to do my artwork for me. So, I am going to post my advice on this blog for any and all to see. I will probably make a couple of postings on this subject, this is just the basic advice to get started, so that you know what you're getting yourself into.

Now, I use 2 websites to find and hire artists for my work:

www.freelanced.com and www.elance.com

Now, each one has it pros and cons. Freelanced, will likely give you cheaper artists and you can tell them specifically what you wish to spend on your project. However, I have found some of the artists (not all) on this site to be unreliable (hence why I have now had 4 different artists on my High School Heroes comic). However, there are some that are quite good, like the woman who illustrated my children's book.

Elance, you put the project up with an approximate amount of what you'd like to spend and the artists will bid on the project. The artists I have worked with on here have never let me down (crosses fingers while knocking on wood). However, they are usually more expensive and you have to put money into an escrow account up front.

I will suggest black and white if you are paying for this by yourself, because keep this in mind...

Coloring can cost you an extra $10 - $40 per page. If you are going to do a standard 100 to 125 page graphic novel, that means upwards of an extra $1,000+ to $4,000+ out of your pocket. Not to mention that you will then have to pay for someone to letter the book (add in all the speaking bubbles and captions and whatnot) and the cheapest I have found for that is also $10 per page. (Now, I letter my own books, it takes me a good deal of time, but when you think of the money saved...) Then you will also have to pay an artist to do the cover and for a decent cover, that will also run you a minimum of $100. (I get around that by designing the cover myself and paying an artist just to draw a character for the cover for High School Heroes, The Poe Murders, I paid the full price).

When you consider that a black and white graphic novel of 100 pages is already going to cost you approximately $2,000 to $2,500 at minimum, all these extras can cost you money. Also, usually you will have to hire separate people to do each of these things. The person who draws, usually doesn't color and vice-versa.

I hope that this has been helpful to you. Check back in a couple of days when I discuss creating a script. 

On Heroes

 

When writing my stories for High School Heroes, I delved deeply into the world of heroes. But what is a hero, what do they do that makes them who they are? Why are we drawn to heroes?

And most importantly of all, how do we, as writers, create a hero that is believable?

I think back to the ancient heroes when I think of a hero. There is Beowulf, Odysseus, Achilles, Jason, King Arthur, among others. If you look at many of these heroes, they are perfect in every way except for having a tragic flaw. Beowulf had his pride, while Achilles had his rage. These things lead to their downfall.

This same concept can be applied to more modern day heroes as well. Superman has his Kryptonite, Hulk has in uncontrollable rage, etc. But are these the things that make them heroic?

No.

A hero is defined by their actions. A hero must do what is necessary in any situation. The hero must help someone or right the wrongs of someone or help topple an evil-someone to be the hero they must be.

The problem is, when writing a hero, many writers make them too perfect. After all, the hero needs to be a likable character, doesn't he or she? So, we shouldn't have them do anything unlikable, should we? The answer to this question is a resounding NO!

Like the heroes of old, our heroes we write should have some kind of flaw. Our heroes we write need to make mistakes. Our heroes need to be... HUMAN. No one wants to read about a hero that is too perfect. It is too unreal and frankly boring. A hero needs to grow. A hero needs to have real world problems just like the rest of us.

For Christine, the main character in High School Heroes, one of her biggest problems is dealing with the fact that she is a social outcast. It makes her more relatable than if I just made her go in and save the day. Through the story she makes friends, and loses them, all the while struggling with the question of whether she should use her newfound powers for herself or for others.

That is a hero.

So, if you're just starting out a story, or even if you're well within writing it. I suggest doing an outline, but not of the story, an outline of your hero. Talk about what makes them great, but give them an inner conflict - something that makes them worth reading about. You need to make your hero something that someone wants to succeed despite their flaws.

Just remember, as you write your hero, no matter if you want him/her to be larger-than-life like the heroes of old, or you want him/her to be a simple schoolteacher or taxi-cab driver, make them great, but don't make them perfect.

Now go and write!



 

The Elevator Pitch

An elevator pitch can be summed up in a sentence, which is kind of funny, when you consider that's exactly what an elevator pitch is. It is a one or two sentence summary of your book that is meant to entice someone to learn more about it.

It seems like such a simple thing, and while it isn't all that complicated, it can be very easy to mess up. Either people make them too short with not enough exciting details, or they cannot think of how to condense a 300 page novel into a sentence and make the pitch too long.

The attention span of most adults is eight (8) seconds. So, you have that long (if even that) to grab their attention. Essentially, what I'm saying is that by this paragraph, if I haven't hooked you already, I'm never going to.

Conventionally, the target of the elevator pitch is usually an agent or an editor. Many writing conventions and conferences actually have special times set up for just such pitching sessions. They usually will give you a few minutes to present your work to agent or editor in hopes that they will say, "Sure, I'll take you on." But what about for those of us who are already published?

While I did many an elevator pitch before I had my novel, High School Heroes, published, I have made the pitch many, many more times since. I have actually said my elevator pitch so many times, that I have it memorized.

"High School Heroes is about a group of teenagers who desperately want to become superheroes but high school keeps getting in the way."

It's simple, to the point, and it always illicits a reaction--usually a chuckle and a comment. Now, this is the same pitch I used when I was looking for agents and publishers. This line was the first line of my query letter. This line I also use when I attend shows where I am sitting at a table and trying to get people to come over to my booth.

Depending on the show I'm at, I have seen as much as 50% of the people I say this line to actually come over to my table and pick up a book. Now, does that always turn into a sale--absolutely not. However, what my short and sweet pitch does, is entices a person to want to learn more. Now of those 50% that actually come to look at the book, somwhere between 5 and 10% buy it. While this sounds low, if you think about it, if I make the pitch 200 times, and I have 100 people actually come over to look at the book, I am going to sell between 5 and 10 of them. Generally, during a 6 hour show, I will make the pitch anywhere from 300 - 400 times. I'll allow you to do the math.

Now that I have explained the benefits of using an elevator pitch for something other than trying to get your book published, we can get into how to create one. There are a few criteria that every elevator pitch should have.

1. Keep it Short
Nothing will throw someone off more than having someone talk their ear off. Remember you have only eight (8) seconds (if that long) before someone tunes you out and moves on. Your pitch should ideally be one (1) sentence, but definitely no more than two (2). Look back at my pitch, it's only one sentence, but it captures the essence of my entire novel. Think about your novel and try to sum it up in a sentence.

2. Hook Your Audience
Just like your novel has to hook your audience on the first page (the first couple paragraphs really) you need to hook your potential editor, agent or customer with your elevator pitch. In other words, you can't just stick with your summary--it has to pop in some fashion. Again, I'll direct you back to my pitch:

"High School Heroes is about a group of teenagers who desperately want to become superheroes but high school keeps getting in the way."

That underlined part is the hook. No matter if they're 15 or 50, everyone remembers their high school days, whether good or bad. They remember how high school gets in the way of what a teenager wants to do. Like I said earlier, I usually get a chuckle when I say my pitch at shows, which is usually followed by a comment like, "Doesn't it always?" or "Yes it does." They want to find out how high school gets in the way, so the person comes over and looks at the book, which is our goal.

3. Tell The Genre
This is a tricky one, because you want to tell the genre of your novel without actually saying what it is. I could easily say, "High School Heroes is a young adult fantasy novel about..." But I don't. It isn't necessary. The simple fact that I have the words "teenagers" and "high school," tell me that this book is probably young adult, and the word "superheroes" tells me this is a fantasy. Saying that it is a young adult fantasy is adding extra words that is cutting into my few seconds of attention.

Now, what might happen is that your pitch will draw them in, and then they might ask for clarification of the genre. When this happens, I will quickly say, "It's a young adult fantasy." There's no problem there, because now the person I'm pitching to has engaged me and hasn't simply walked off, and I have a chance to continue the conversation.

On the flip-side, if I hear a pitch that talks about a "series of murders" I know that we're looking at a mystery, possibly a horror. If I hear the words, "space" or "starship" I know we're looking at a science-fiction. Think about the genre and what you can include in your pitch that will let someone know what it is.

4. Be Prepared to Talk Further
Once you have your person hooked, you need to give them something more. Usually, like above, the person will ask a question, and you need to have an answer for it. What I will normally do, is then direct the person I'm pitching to to look at something on the table--the back cover of my book, for example. The back cover has a lot more information about the book. However, if you don't have a book yet, you can always have this same description written down somewhere. While they are looking at it though, don't forget to add another little tidbit of information.

"The novel has gotten great reviews on Book Blogs and GoodReads."

Just one small thing to keep the person engaged and talking about... well, you and your book. And as always, have answers to some typical questions. For instance, the questions I always get asked is, "Who's the girl on the cover?" and "What are the kids' superpowers?" I can answer these questions quickly without even thinking about it.

The key is, keep them engaged as long as possible, because the longer they're engaged, the longer they are considering picking your story up.

5. Don't Be Afraid to Edit
Sometimes, even a well thought out pitch doesn't work. To be honest, I had three (3) other pitches before the current one. They didn't work, or at least, they didn't work as well as the one I have talked about through much of this blog.

The point is, we as writers can be stubborn. I definitely fit into that category. However, sometimes you have to evaluate what works and what doesn't. So, if your elevator pitch doesn't work, then you need to make some changes. Try it out a few times, and if you don't get a warm response, then go home and think of how else you can possibly say it. Think about where you can add some more active, exciting words. Think about where you are going wrong with your hook. Then change the pitch accordingly.

That's all the advice I can give, other than to just keep pitching and don't be discouraged when people still "walk on by". Remember, that no matter how well written your story is. No matter how many people you think will like your book, remember that it isn't for everyone and there will ALWAYS be people that will pass on it.

With that being said, I'm going to give you two other examples of good pitches for you to look at. Good luck writing your elevator pitch.

Harry Potter

Harry discovers that he has magical powers when he's invited to attend Hogwarts school for wizards, but the evil wizard who killed his parents is hiding at Hogwarts, waiting to finish the job.

Twilight

A girl falls for a sexy vampire--but the boy who falls for her is part of a werewolf tribe committed to defeating the vampires.

How To Create a Book Trailer

An effective tool when trying to create some buzz for your book is what is known as a book trailer. Thee are fairly new things, having only popped up in the last couple of years or so, but they are steadily gaining in popularity. So, if you haven't heard of them yet, you soon will. When designing a book trailer, you should consider the following:

Don't Tell Everything
Think of a movie trailer. Does it show the whole movie? No, it doesn't. Instead, it show tiny snippets of the story, making the viewer want to see more. The key is to only show the viewer just enough to make them feel the need to discover more. This will lead them to your website, which, in turn, will get them a step closer to buying your book.

Limit the Time
Like not showing everything, you need to find a balance in time. Too short, and your viewer will be confused and not want to look at what it's all about. Too long, and the viewer will grow bored, and not get to the end of your trailer, and then will not bother to find out more. The trailer has to be the perfect length. Ideally, 1 to 2 minutes is an excellent length for a book trailer, but anywhere up to 2 would still be acceptable. At this length, you can't give away too much and your audience won't grow bored.

Fit the Mood
This is crucial. The mood of your book, should be reflected in the trailer. You can't have a trailer for Angela's Ashes using a lot of brightly colored scenes with AC/DC's Shook Me All Night Long playing in the background. Just like you don't want to use hardcore rap in a trailer for the Harry Potter books. The point is, if your book is sad, have images and sound that will go along with it. If your story has a lot of action and suspense, that should be reflected as well.


You may have noticed, how to make a book trailer hasn't actually been discussed yet. That is because there really is no set way to do one. Each trailer out there is unique in its own way, and creating such a trailer is truly up to the artist or, in this case, the writer. Telling you how to make a book trailer would be like me telling you how to write your book. While there are certain conventions every book must have, there truly is no one correct way to write one.However, there are a few popular techniques people use in order to create a trailer. If you have no idea how to start, hopefully these models will be a help.

A Picture Says a Thousand Words

This can almost be considered the "traditional" way of making a book trailer. It is also the easiest, which is probably why it is the most popular. For this method, you are going to gather some pictures,   either ones you have taken personally, or by going to one of the royalty free photo websites, such as istock.com, photobucket.com or shutterfly.com.

On these sites, you can purchase photos for a small fee (usually less than $1 a photo), and use these photos any way you see fit. The photos you pick for you trailer should be representative of your book and the characters within. Using a tool such as Microsoft Movie Maker, you put these photos into a video and add some music to them.

Anatomy of a Scene

This could possibly be the most effective, and also the most fun to do. What it requires, is for you to turn a short scene from your book into a short script (remember it should fit into the time constraints mentioned earlier), and then shooting the scene using live actors (or friends). This is also great for you to see your scenes come to life. There are a few books, this technique might not work for, especially if you don't have the ability to construct elaborate sets. However, if you have a "real world" story, where you can shoot a scene in your living room, or at your local park, then this is perfect. If you also happen to be a talented artist, you can also animate the scene. Either way, by the time you're done, you'll have a trailer suitable to drive attention toward your book.

Going to the Movies
 Think of this one as looking like your typical movie trailer. It will have a bunch of short clips, encompassing the entire book. But as stated before, you don't want to give away too much - just enough to entice the viewer. Like the previous idea, this will require getting some actors and shooting several of the scenes from your book. And like the previous idea, if you happen to be a talented artist, go for animating it, this way you are not limited in your vision. Put these scenes to some appropriate music and you've got yourself a movie style book trailer.

No matter what you do when making a book trailer, make sure you get it up on YouTube and onto your Facebook page. These are going to be the places where your trailer is going to get the most visibility.

And of course, have fun making it. Like writing, if you're not having fun, why are you doing it?